#10 YEAR OLD NEVER HAVE I EVER GAME CODE#
#10 YEAR OLD NEVER HAVE I EVER GAME SERIES#

When people get their minds blown, they love that, right? So that moment in the demo made it really compelling. The player would play along and then realize that and be like: 'Oh my God, my mind is blown'. I think it was really good as a demo game, because that Eureka moment was its strong point. 'In that EGX demo, only a little bit of all of that was shown. I was going through it the other week, and there were a lot more ideas in there than I remembered.'

I'd obviously worked on it for a few years, in my spare time when I was still working in my other job, and then on it full-time for a while. There's loads of stuff in there, it really was massive, all in one big map.

I was playing it for an hour, trying to remember my debug buttons to move around and stuff like that. I looked through it and was like: There's the hard drive! After that, I hooked it up and started going through all of my old files. 'I then went back to my parents' house a few weeks ago, and they told me there was a lot of junk that I had to either take with me or look through or throw out.

#10 YEAR OLD NEVER HAVE I EVER GAME CODE#

I didn't have the code for a long while, and I knew it was a hard drive that I'd lost,' Foster explains. 'I actually found the build, weirdly, a week before you emailed me. In any event, sadly, it doesn't look like picking up where he left off with Chroma features in either he or Acid Nerve's plans moving forward. Although excited about what the future holds for Acid Nerve, Foster can't go into detail on the specifics.

#10 YEAR OLD NEVER HAVE I EVER GAME SERIES#

As you may be aware already, Acid Nerve has since released Telepaint and Death's Door, the latter of which launched across PC, PS5 and PS4, Xbox Series X and Xbox One, and the Nintendo Switch, again under the care of Devolver Digital. By Foster's own admission, Titan Souls took over everything in he and Fenn's life at that moment, and by the time that game had shipped neither felt like doing much of anything. He then turned to me straight away and was like: 'What can we do to get this on the platform?' He was into it immediately.'Īcid Nerve was formed as a two-person team working out of Manchester, England, and development of Titan Souls proper began in earnest. I remember, he was looking at the screen, he did the walk along the shadows thing, and then he paused for a few seconds. 'Yeah, stopped by the booth and said: 'Everyone keeps telling me to play this game',' says Foster, recalling events from EGX 2013 almost a decade on. Shahid Ahmad – then senior business development manager at Sony – took one look at it, and wanted Chroma on PlayStation platforms immediately. It's hard to explain just how exciting that first use of the mechanic was, and how empowering that pure and mind-blowing eureka moment felt. With a primary character who emanated light, a tap of the action button froze an otherwise shifting shadow in place, and allowed a secondary shadowed figure to move along the angles in the dark reaching otherwise inaccessible areas and cracking puzzles the first character on their lonesome could not. In an act that rivaled Braid's time-remind gimmick and Fez's signature perspective-shifting conceit, Chroma's big sell saw players climbing (and descending) the gradients of shadows.

10 year old never have i ever game